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TO EAST AND 50S?

Nothing of the master is to burn, can like it or not, but all his works are part of a life dedicated to art, a life spent in art, his. As the work of the 50s of the period of the Attic Macabre, not appreciated by all as the brilliant works of the 60s onwards, the period surfant. Those are the 50 jobs that may well stand a comparison, because, even if it is another type of painting, it is a genuine painting, more immediate in the sense that the execution but still manages to give the right to emotionally charged the observer. There are nude studies that are done to perfection, nothing is out of place, and date of each stroke surge senza aggiungere o togliere qualcosa al lavoro finito. Alcuni con colori violenti quasi a ricordare dipinti espressionisti, con linee dure a spezzate, altri tanto delicati come il ritratto a Dina, dove una luce sembra accarezzarle il volto che sprigiona un innocente giovinezza. Tavole con colori abbinati in modo manieristico e certamente più materici come il "Brindisi in Cielo" dove il Maestro immortala un momento di raffinata allegria nello studio dell'amico Abacuc, denominato appunto "Cielo". Ritratti di giovani modelle e amiche ma anche di gente che Alessandri incontrava nelle piole della vecchia Torino come "Gina la scraciuna" o personaggi bizzarri quali "Cup il muto" o "Il venditore di noccioline" che bazzicava al Baloon. E non solo, in quegli anni Alessandri portrayed friends and fellow painters who frequented the attic of Death as the young Aschieri. What is striking in the soul it is these characters sometimes disturbing sometimes if we can be uncomfortable as the painting of a prostitute, but the beauty of those works of the '50s is its immediacy and simplicity that airway without a careful and studied research, so to give a time or better to capture those curious characters who were part of a company that long-gone but still if we look for are still present. Those under 50 are early works of course, but that line already the artistic talent of the Master. The irony was not lacking in those years already, Azalea and retract dupie CIAP is an illustration. A period that has grown artistically so that due consideration is to be taken, then satisfying us with its subsequent picture cycles gradually become more elegant, but in fact without the years of youth could not exist and we could not enjoy it !
Opera entitled: PORTRAIT IN RED DINA BACKLIGHT (51.8).

Opera entitled: TOAST IN THE SKY (57.30).

Opera entitled: STUDY OF SOLID CHAMPION DUPIE CIAP AZALEA SWIM IN THE SKY (57.34).

Opera entitled: STUDY FOR A PORTRAIT Aschieri (53.43)

Mysore Malinge Images

"THE BEAUTY immense". ART IN PHOTOGRAPHY. ANTONIO actinium.

It is not my usual style and never will be, use this space for other artists outside of the Master Alessandri, with the exception of one, the Maestro Antonio Attinà member and official photographer of the Archives Alessandri. On the occasion of the evening "at the table with the artist" to Ciacolon of Turin, I had the honor and pleasure to attend one of the most exciting works of Antonio. This is a video projection of photographs entitled "The Beauty immense". Yesterday evening, unfortunately because of my shyness I am not able to best express the feelings and emotions of this wonderful work. So, I take this opportunity now and I hope this space, knowing the humility of the Master anemones, which I do not want if the gift of a celebration and my thoughts on his work here on the Blog.

Define photographs, I find it rather banale e scontato, già, perchè quelle di Antonio vanno ben oltre al semplice scatto fine a se stesso. Sono dei veri e propri Capolavori D'Arte dove Madre Natura fa da modella all'occhio del fotografo. Definisco i suoi scatti dei Capolavori D'Arte perchè danno un emozione, la stessa che si prova davanti ad opere pittoriche. Le sensazioni allo scorrere delle immagini sono state un qualcosa di surreale, una sensazione di pace e lieta solitudine dove sei solamente Tu e la natura. Sembra quasi di entrare in contatto con Dio perchè alla fine Dio lo troviamo proprio in tutto quello che sta nel creato. Scatti che si fanno ammirare e contemplare, riportando alla mente anche capolavori dell'arte informale, dello spazialismo, del surreale. Il mare, il deserto with its dunes, rivers, rocks, in short, our Earth seen from a perspective that is not every day you see a show that lies in the beauty of the vast spaces that nature provides us with wise and Attinà shot is captured. Unnecessary further comment, who will have the opportunity and the chance to witness this extraordinary work can not help but be delighted with a bit more in the head and heart. Thanks Antonio!